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Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
The Ming dynasty considered Tibet to be part of the Western Regions. While the Ming dynasty at its height had some degree of influence in Tibet, the exact nature of their relations is under dispute by modern scholars. Analysis of the relationship is further complicated by modern political conflicts and the application of Westphalian sovereignty to a time when the concept did not exist. The Historical Status of China's Tibet, a book published by the People's Republic of China, asserts that the Ming dynasty had unquestioned sovereignty over Tibet by pointing to the Ming court's issuing of various titles to Tibetan leaders, Tibetans' full acceptance of the titles, and a renewal process for successors of these titles that involved traveling to the Ming capital. Scholars in China also argue that Tibet has been an integral part of China since the 13th century and so it was a part of the Ming Empire. However, most scholars outside China, such as Turrell V. Wylie, Melvyn C. Goldstein, and Helmut Hoffman, say that the relationship was one of suzerainty, Ming titles were only nominal, Tibet remained an independent region outside Ming control, and it simply paid tribute until the Jiajing Emperor, who ceased relations with Tibet.
Some scholars note that Tibetan leaders during the Ming frequently engaged in civil war and conducted their own foreign diplomacy with neighboring states such as Nepal. Some scholars underscore the commercial aspect of the Ming–Tibetan relationship, noting the Ming dynasty's shortage of horses for warfare and thus the importance of the horse trade with Tibet. Others argue that the significant religious nature of the relationship of the Ming court with Tibetan lamas is underrepresented in modern scholarship. (Full article...)
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Luo Yixiu (Chinese: 羅一秀; 20 October 1889 – 11 February 1910), a Han Chinese woman, was the first wife of the later Chinese communist revolutionary and political leader Mao Zedong, to whom she was married from 1908 until her death. Coming from the area around Shaoshan, Hunan, in south central China – the same region as Mao – her family were impoverished local landowners.
Most of what is known about their marriage comes from an account Mao gave to the American reporter Edgar Snow in 1936, which Snow included in his book Red Star Over China. According to Mao, he and Luo Yixiu were the subject of an arranged marriage organised by their respective fathers, Mao Yichang and Luo Helou. Luo was eighteen and Mao just fourteen years old at the time of their betrothal. Although Mao took part in the wedding ceremony, he later said that he was unhappy with the marriage, never consummating it and refusing to live with his wife. Socially disgraced, she lived with Mao's parents for two years until she died of dysentery, while he moved out of the village to continue his studies elsewhere, eventually becoming a founding member of the Chinese Communist Party. Various biographers have suggested that Mao's experience of this marriage affected his later views, leading him to become a critic of arranged marriage and a vocal feminist. He married three more times, to Yang Kaihui, He Zizhen and Jiang Qing, the last of whom was better known as Madame Mao. (Full article...)
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The Sakyamuni Buddha, by Song painter Zhang Shengwen, c. AD 1181–1186; although Buddhism was in decline and under attack by Neo-Confucian critics in the Song era, it nonetheless remained one of the major religious ideologies in China.
Chinese society during the Song dynasty (AD 960–1279) was marked by political and legal reforms, a philosophical revival of Confucianism, and the development of cities beyond administrative purposes into centers of trade, industry, and maritime commerce. The inhabitants of rural areas were mostly farmers, although some were also hunters, fishers, or government employees working in mines or the salt marshes. Conversely, shopkeepers, artisans, city guards, entertainers, laborers, and wealthy merchants lived in the county and provincial centers along with the Chinese gentry—a small, elite community of educated scholars and scholar-officials. As landholders and drafted government officials, the gentry considered themselves the leading members of society; gaining their cooperation and employment was essential for the county or provincial bureaucrat overburdened with official duties. In many ways, scholar-officials of the Song period differed from the more aristocratic scholar-officials of the Tang dynasty (618–907). Civil service examinations became the primary means of appointment to an official post as competitors vying for official degrees dramatically increased. Frequent disagreements amongst ministers of state on ideological and policy issues led to political strife and the rise of political factions. This undermined the marriage strategies of the professional elite, which broke apart as a social group and gave way to a multitude of families that provided sons for civil service.
Confucian or Legalist scholars in ancient China—perhaps as far back as the late Zhou dynasty (c. 1046–256 BC)—categorized all socioeconomic groups into four broad and hierarchical occupations (in descending order): the shi (scholars, or gentry), the nong (peasant farmers), the gong (artisans and craftsmen), and the shang (merchants). Wealthy landholders and officials possessed the resources to better prepare their sons for the civil service examinations, yet they were often rivaled in their power and wealth by merchants of the Song period. Merchants frequently colluded commercially and politically with officials, despite the fact that scholar-officials looked down on mercantile vocations as less respectable pursuits than farming or craftsmanship. The military also provided a means for advancement in Song society for those who became officers, even though soldiers were not highly respected members of society. Although certain domestic and familial duties were expected of women in Song society, they nonetheless enjoyed a wide range of social and legal rights in an otherwise patriarchal society. Women's improved rights to property came gradually with the increasing value of dowries offered by brides' families. (Full article...)
St. Michael's Cathedral (German: Kathedrale St. Michael; Chinese: 圣弥爱尔大教堂; pinyin: Shèng Mí'ài'ěr Dàjiàotáng), also called the Zhejiang Road Catholic Church (Chinese: 浙江路天主教堂), is a Catholic church in Qingdao (Tsingtao), Shandong Province, China, and is the seat of the bishop of the Diocese of Qingdao (Tsingtao). It is located in the oldest part of Qingdao, at 15 Zhejiang Road, on the east side of Zhongshan Road in Shinan District. Built by German missionaries, the cathedral stands at the top of a hill in the center of the old German-built part of the city. It is the largest example of Romanesque Revival architecture in the province, resembling a German cathedral of the 12th century.
St. Michael's Cathedral is the product of a strong German presence in Shandong Province in the 19th and early 20th centuries. In the mid-19th century the European powers forcibly opened China to foreign trade. The Divine Word Missionaries built a church in the Jiaozhou Bay concession in Shandong in 1902, and in 1934 erected the cathedral, which remained nominally under their administration until 1964. In 1942 it came under the control of the Japanese Army, returning to Chinese control when the Japanese left Qingdao in 1945. In the early 1950s, all foreign missionaries, including the Bishop of Qingdao, were either imprisoned or expelled from China, and during the Cultural Revolution (1966–1976) the cathedral was defaced and abandoned. In 1981, it was repaired by the government and reopened for services, and in 1992 it was listed as a Provincial Historic Building by the government of Shandong Province. (Full article...)
Set in the People's Republic of China during the 1990s, the film centers on a 13-year-old substitute teacher, Wei Minzhi, in the Chinese countryside. Called in to substitute for a village teacher for one month, Wei is told not to lose any students. When one of the boys takes off in search of work in the big city, she goes looking for him. The film addresses education reform in China, the economic gap between urban and rural populations, and the prevalence of bureaucracy and authority figures in everyday life. It is filmed in a neorealist/documentary style with a troupe of non-professional actors who play characters with the same names and occupations as the actors have in real life, blurring the boundaries between drama and reality. (Full article...)
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Peking opera in Shanghai, 2014
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
The economy of the Han dynasty (206 BC – 220 AD) of ancient China experienced upward and downward movements in its economic cycle, periods of economic prosperity and decline. It is normally divided into three periods: Western Han (206 BC – 9 AD), the Xin dynasty (9–23 AD), and Eastern Han (25–220 AD). The Xin regime, established by the former regent Wang Mang, formed a brief interregnum between lengthy periods of Han rule. Following the fall of Wang Mang, the Han capital was moved eastward from Chang'an to Luoyang. In consequence, historians have named the succeeding eras Western Han and Eastern Han respectively.
The Han economy was defined by significant population growth, increasing urbanization, unprecedented growth of industry and trade, and government experimentation with nationalization. Another large component of the government is that it was run by influential families who had the most money. In this era, the levels of minting and circulation of coin currency grew significantly, forming the foundation of a stable monetary system. The Silk Road facilitated the establishment of trade and tributary exchanges with foreign countries across Eurasia, many of which were previously unknown to the people of ancient China. The imperial capitals of both Western Han (Chang'an) and Eastern Han (Luoyang) were among the largest cities in the world at the time, in both population and area. Here, government workshops manufactured furnishings for the palaces of the emperor and produced goods for the common people. The government oversaw the construction of roads and bridges, which facilitated official government business and encouraged commercial growth. Under Han rule, industrialists, wholesalers, and merchants—from minor shopkeepers to wealthy businessmen—could engage in a wide range of enterprises and trade in the domestic, public, and even military spheres. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
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Zhou Tong stroking his beard
Zhou Tong (Chinese: 周同 and 周侗; pinyin: Zhōu Tóng) (died late 1121 CE) was the archery teacher and second military arts tutor of famous Song dynasty general Yue Fei. Originally a local hero from Henan, he was hired to continue Yue Fei's military training in archery after the boy had rapidly mastered spearplay under his first teacher. In addition to the future general, Zhou accepted other children as archery pupils. During his tutelage, Zhou taught the children all of his skills and even rewarded Yue with his two favorite bows because he was his best pupil. After Zhou's death, Yue would regularly visit his tomb twice a month and perform unorthodox sacrifices that far surpassed that done for even beloved tutors. Yue later taught what he had learned from Zhou to his soldiers and they were successful in battle.
With the publishing of Yue Fei's 17th folklore biography, The Story of Yue Fei (1684), a new, fictional Zhou Tong emerged, who differed greatly from his historical persona. Not only was he now from Shaanxi, but he was Yue's adopted father, a learned scholar with knowledge of the eighteen weapons of war, and his personal name was spelled with a different, yet related, Chinese character. The novel's author portrayed him as an elderly widower and military arts tutor who counted Lin Chong and Lu Junyi, two of the fictional 108 outlaws on which the Water Margin is based, among his former pupils. A later republican erafolktale by noted Yangzhou storyteller Wang Shaotang not only adds Wu Song to this list, but represents Zhou as a knight-errant with supreme swordsmanship. The tale also gives him the nickname "Iron Arm", which he shares with the executioner-turned-outlaw Cai Fu, and makes the outlaw Lu Zhishen his sworn brother. Because of his association with the outlaws, he is often confused with the similarly named outlaw Zhou Tong. (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
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Posthumous portrait
Du Fu (Chinese: 杜甫; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan Rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
... that British oceanographer Sonya Legg has studied the South China Sea, where internal waves can be taller than 200 metres (660 ft)?
... that the New York City-based fashion label Sandy Liang is inspired by grandmothers in Chinatown, and often features Liang's own grandmother as a model?
... that Chinese scholar Liang Tingnan suggested that China should emulate the United States to avoid the upheavals of dynastic change?
...that the first railway locomotive in China was in service for only 15 months between 1876 and 1877 (pictured) before being purchased and deliberately destroyed by the ruling Qing dynasty?
This is a good article, an article that meets a core set of high editorial standards.
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The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.
In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works. (Full article...)
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Xi'an City Wall
The fortifications of Xi'an (Chinese: 西安城墙), also known as Xi'an City Wall, in Xi'an, represent one of the oldest, largest and best preserved Chinese city walls. It was built under the rule of the Hongwu Emperor Zhu Yuanzhang as a military defense system. It exhibits the "complete features of the rampart architecture of feudal society". It has been refurbished many times since it was built in the 14th century, thrice at intervals of about 200 years in the later half of the 1500s and 1700s, and in recent years in 1983. The wall encloses an area of about 14 square kilometres (5.4 sq mi).
The Xi'an City Wall is on the tentative list of UNESCO's World Heritage Site under the title "City Walls of the Ming and Qing Dynasties". Since 2008, it is also on the list of the State Administration of Cultural Heritage of the People's Republic of China. Since March 1961, the Xi'an City Wall is a heritage National Historical and Cultural Unit. (Full article...)
The Battle of Kapyong (Korean: 가평전투; 22–27 April 1951), also known as the Battle of Jiaping (Chinese: 加平战斗; pinyin: Jiāpíng Zhàn Dòu), was fought during the Korean War between United Nations Command (UN) forces—primarily Canadian, Australian, and New Zealand—and the 118th and 60th Divisions of the Chinese People's Volunteer Army (PVA). The fighting occurred during the Chinese Spring Offensive and saw the 27th British Commonwealth Brigade (27th Brigade) establish blocking positions in the Kapyong Valley, on a key route south to the capital, Seoul. The two forward battalions—the 3rd Battalion, Royal Australian Regiment (3 RAR) and 2nd Battalion, Princess Patricia's Canadian Light Infantry (2 PPCLI), both battalions consisting of about 700 men each—were supported by guns from the 16th Field Regiment (16 NZFR) of the Royal Regiment of New Zealand Artillery along with two companies of US mortars, fifteen Sherman tanks from US 72nd Heavy Tank Battalion, two companies of the US 74th Engineer Combat Battalion and 1st Battalion, Middlesex Regiment. These forces occupied positions astride the valley with hastily developed defences. As thousands of soldiers from the Republic of Korea Army (ROK) began to withdraw through the valley, the PVA infiltrated the brigade position under the cover of darkness, and assaulted the 3 RAR on Hill 504 during the evening and into the following day. Five companies of the US and UK forces attached to 27th Brigade fled the battlefield without orders, expecting an imminent PVA breakthrough at the Kapyong Valley.
Although heavily outnumbered, the 3 RAR and U.S. tanks held their positions into the afternoon of April 24 before they retreated from the battlefield to a reserve position near brigade headquarters, with both sides having suffered heavy casualties. The PVA then turned their attention to the surrounded 2 PPCLI on Hill 677, whose encirclement prevented any resupply or reinforcements from entering. The 2 PPCLI were ordered to make a last stand on Hill 677. During a fierce night battle on 24/25 April the PVA forces were unable to dislodge the 2 PPCLI and sustained enormous losses. The next day, the PVA withdrew back up the valley in order to regroup, and the 2 PPCLI were relieved late on 26 April. (Full article...)
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Typhoon June on August 29 at 07:27 UTC
Typhoon June, also known in the Philippines as Typhoon Maring, was the first of two tropical cyclones to affect the Philippines in a one-week time span in August 1984. June originated from an area of convection that was first witnessed on August 15 in the Philippine Sea. Despite initial wind shear, the area intensified into a tropical storm three days later as it tracked westward. After tracking over Luzon, June entered the South China Sea on August 30. Despite remaining poorly organized, June re-intensified over land, and it was estimated to have briefly attained typhoon intensity before striking China, just to the east of Hong Kong, at maximum intensity, although its remnants were last noticed on September 3.
Affecting the country four days before Typhoon Ike would devastate the Philippines, June brought widespread damage to the nation. Throughout the Philippines, 470,962 people sought shelter. A total of 671 homes were destroyed, with 6,341 others damaged. A total of 121 people were killed, while 17 other individuals were reportedly missing, and 26 other people were wounded. Damage totaled $24.2 million (1984 USD, including $15.24 million in agriculture and $8.82 million in infrastructure). Following June and Ike, several major countries provided cash and other goods. In all, $7.5 million worth of aid was donated to the nation in relief. In addition to effects on the Philippines, 1,500 homes were damaged and 66,000 ha (160,000 acres) of farmland were flooded in the Guangdong province. (Full article...)
The Song is considered a high point of classical Chinese innovation in science and technology, an era that featured prominent intellectual figures such as Shen Kuo and Su Song and the revolutionary use of gunpowder weapons. However, it was also a period of political and military turmoil, with opposing and often aggressive political factions formed at court that impeded political, social, and economic progress. The frontier management policies of the Chancellor Wang Anshi exacerbated hostile conditions along the Chinese-Vietnamese border. This sparked a border war with Vietnam's Lý dynasty, which was fought to a mutual draw and concluded with a peace treaty in 1082. To the northwest the Song Empire frequently fought battles with the Tangut-led Western Xia dynasty, as well as the Khitan-led Liao dynasty to the north. (Full article...)
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The Ten-Thousand Buddha Hall (Wànfó diàn) of Zhenguo Temple
Zhenguo Temple (Chinese: 镇国寺) is a Buddhist temple located 10 km from Pingyao in the village of Hadongcun, in Shanxi Province, China. The temple's oldest hall, the Wanfo Hall, was built in 963 during the Northern Han dynasty, and is notable for featuring very large brackets that hold up the roof and flying eaves. The sculptures inside the hall are among the only examples of 10th century Buddhist sculpture in China. (Full article...)
Japanese soldiers had been deployed to Shandong province to protect Japanese commercial interests in the province, which were threatened by the advance of Chiang's Northern Expedition to reunite China under a Kuomintang government. When the NRA approached Jinan, the Beiyang government-aligned army of Sun Chuanfang withdrew from the area, allowing for the peaceful capture of the city by the NRA. NRA forces initially managed to coexist with Japanese troops stationed around the Japanese consulate and businesses, and Chiang Kai-shek arrived to negotiate their withdrawal on 2 May. This peace was broken the following morning, however, when a dispute between the Chinese and Japanese resulted in the deaths of 13–16 Japanese civilians. The resulting conflict resulted in thousands of casualties on the NRA side, which fled the area to continue northwards toward Beijing, and left the city under Japanese occupation until March 1929. (Full article...)
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Fossils of A. longicervia described in Wong et al. (2015)
The species was originally described as a pitcher plant with close affinities to extant members of the familySarraceniaceae. This would make it the earliest known carnivorous plant and the only known fossil record of Sarraceniaceae, or the New World pitcher plant family. Archaeamphora is also one of the three oldest known genera of angiosperms (flowering plants). Li (2005) wrote that "the existence of a so highly derived Angiosperm in the Early Cretaceous suggests that Angiosperms should have originated much earlier, maybe back to 280 mya as the molecular clock studies suggested". (Full article...)
Foreign nationals may naturalize if they are permanent residents in any part of China or they have immediate family members who are Chinese citizens. Residents of the Taiwan Area are also considered Chinese citizens, due to the PRC's extant claim over areas controlled by the Republic of China (ROC). (Full article...)
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Song Dynasty officials listening to guqin. The Song dynasty (960–1279 AD) was a culturally rich and sophisticated age for China. It saw great advancements in the visual arts, music, literature, and philosophy. Officials of the ruling bureaucracy, who underwent a strict and extensive examination process, reached new heights of education in Chinese society, while general Chinese culture was enhanced by widespread printing, growing literacy, and various arts.
Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian political ideology at court. (Full article...)
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US 2nd Infantry Division move through a mountain pass at the south of Wonju
The First and Second Battles of Wonju (French: Bataille de Wonju), also known as the Wonju Campaign or the Third Phase Campaign Eastern Sector (Chinese: 第三次战役东线; pinyin: Dì Sān Cì Zhàn Yì Dōng Xiàn), was a series of engagements between North Korean and United Nations (UN) forces during the Korean War. The battle took place from December 31, 1950, to January 20, 1951, around the South Korean town of Wonju. In coordination with the Chinese capture of Seoul on the western front, the North Korean Korean People's Army (KPA) attempted to capture Wonju in an effort to destabilize the UN defenses along the central and the eastern fronts.
After a joint Chinese People's Volunteer Army (PVA) and KPA assault breached the UN defenses at Chuncheon on New Year's Eve of 1951, KPA V Corps attacked US X Corps at Wonju while KPA II Corps harassed US X Corps' rear by engaging in guerrilla warfare. In response, US X Corps under the command of Major General Edward Almond managed to cripple the KPA forces at Wonju, and the UN forces later carried out a number of anti-guerrilla operations against the KPA infiltrators. In the aftermath of the battle, the KPA forces on the central and the eastern fronts were decimated, allowing the UN front to be stabilized at the 37th parallel. (Full article...)
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Great Britain competed at the 2008 Summer Olympics in Beijing, China. The United Kingdom was represented by the British Olympic Association (BOA), and the team of selected athletes was officially known as Team GB. Britain is one of only five NOCs to have competed in every modern Summer Olympic Games since 1896. The delegation of 547 people included 311 competitors – 168 men, 143 women – and 236 officials. The team was made up of athletes from the whole United Kingdom including Northern Ireland (whose people may elect to hold Irish citizenship and are able to be selected to represent either Great Britain or Ireland at the Olympics). Additionally some British overseas territories compete separately from Britain in Olympic competition.
Great Britain's medal performance at the 2008 Summer Olympics was its best in a century; at the close of the Games, the total medal count, 47, was also the fourth highest Great Britain had ever achieved. Only its performance at the 1908 Summer Olympics, which Britain hosted in London, resulted in more gold medals being awarded. Following retests of doping samples in 2016 in connection with the Russian doping scandal, four further medals, all bronze, were awarded in athletics, retrospectively increasing the total gained to 51. As of 1 July 2020, the award of the bronze medals to both the Men's and Women's 4 × 400 metres relay teams and the upgrade of Goldie Sayers to bronze in the Women's javelin, confirmed by the Court of Arbitration for Sport (CAS), brought the official medal total to 50, after which the confirmation of Kelly Sotherton receiving her second reallocated bronze medal in the Women's Heptathlon (having been part of the Women's 4 × 400 metre team) took the total number of medals won to 51. (Full article...)
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The Shifang protest was a large-scale environmental protest in the southwestern Chinese city of Shifang, Sichuan province, against a copper plant that residents feared posed environmental and public health risks. The protests spanned July 1-3 2012, and drew thousands of participants. Police were dispatched to break up the demonstrations, and reportedly shot tear gas and stun grenades into the crowd. Chinese authorities said some protesters stormed a government building and smashed vehicles. Images and video of the protest circulated on the microblogs and social networking websites throughout China, some showing the protesters — many of them students — badly beaten. The protests ended late on July 3rd when the local government announced that it had terminated construction of the metals plant, and released all but six protesters who had been taken into custody.
The protest was notable for its size and the composition of its participants, as well as for its success in derailing the copper plant project. It was one of a growing number of large-scale environmental protests in China that achieved success. (Full article...)
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Girl Playing a Jade Flute by Xue Susu, self-portrait
Xue Susu (Chinese: 薛素素; also known as Xue Wu (薛五), Xuesu (薛素), Sujun, among other pen names) (c.1564–1650? C.E.) was a Chinese courtesan during the Ming Dynasty. She was an accomplished painter and poet who was particularly noted for her figure paintings, which included many Buddhist subjects. Her works are held in a number of museums both in China and elsewhere. Her skill at mounted archery was commented upon by a number of contemporary writers, as were her masculine, martial tendencies; these were regarded as an attractive feature by the literati of the period.
She lived in Eastern China, residing for most of her life in the Zhejiang and Jiangsu districts. After a career as a celebrated courtesan in Nanjing, Xue Susu was married about four times. During her later life, she eventually opted for the life of a Buddhist recluse. (Full article...)
Image 12Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 13Main hall and tea house in Dunedin Chinese Garden (from Chinese culture)
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Rulers of the world at the beginning of the 20th century
Image 18Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
Image 19Flag of the Republic of China from 1912 to 1928 (from History of China)
Image 20Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 32Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
President Bongbong Marcos signs into law the Maritime Zones Act and the Archipelagic Sea Lanes Act which defines the maritime entitlements of the Philippines and set designated sea lanes and air routes. China protests against the laws which is linked to territorial disputes in the South China Sea. (Reuters)(Nikkei Asia)
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National Emblem of the Republic of ChinaTsai Ing-wen
The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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